Band

Written in two main sections, this work opens with a lament featuring a melodic woodwind melody in a slow minor setting. The fast jubilation that follows includes a driving and rhythmic theme that is traded between the brass and woodwind sections. Expertly scored for younger ensembles, this will be easy to learn and exciting to perform. (2:35)

Commissioned by the Iowa Bandmasters Association, this dynamic new work from Michael Sweeney is written in three contrasting sections. The opening Lament features a plaintive F Horn melody and expansive harmonies. The mood then shifts to an intensely rhythmic dance using an unusual modal scale. In the final section, the flutes switch to recorders and a driving percussion ostinato figure helps propel this magnificent piece to a dramatic ending. A rewarding and satisfying work from one of today's best composers for young bands.

Commissioned to celebrate the 150th anniversary of the Lansing State Journal newspaper, this marvelous symphonic march was premiered by the Michigan State University Wind Symphony in November 2005, conducted by John Whitwell. In combining elements of our country's rich march history with his own blend of contemporary harmonies and masterful orchestrational techniques, John Moss has created an impressive work destined to become a staple in the repertoire of enduring concert marches.

Here is a rich and harmonious chorale treatment of this well-known melody from Dvork's New World Symphony. After the distinctive opening chords, the first statement can be performed as a trumpet solo or soli. The arrangement builds nicely to a full band climax, then tapers to a quiet and effective ending. This is a great introduction to classic repertoire for your beginning students. (3:25)

First recorded in the 60's, this classic nostaligia tune has remained popular through years, most recently recorded by the group Pearl Jam.

The fiery drive and rhythmic intensity of Latin music is brought to life in this medley of well-known classics. Featured are the tunes Brazil, Besame Mucho, Perfidia, and Mambo Jambo, all beautifully and effectively scored for concert band by John Tatgenhorst.

Combining two well-know Latin classics, Michael has created an exciting easy arrangement that is sure to be a hit with audiences and bands alike. The majestic opening is based on Granada, followed by the driving Latin strains of El Cumbanchero. (2:10)

Young players are always drawn to the exciting sounds and styles of Latin music. This dramatic new composition from John Higgins is very easy yet features great melodies, dynamic effects, and driving percussion writing.