Ensemble

This funk/Latin standard composed by Kenny Dorham is the style of jazz that younger players love to sink their teeth into. Expertly adapted for this easy level by Paul Murtha with solid scoring and a flexible solo section.

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a Latin boogaloo style, the chart also includes solos for tenor and trumpet.

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a Latin boogaloo style, the chart also includes solos for tenor and trumpet.

Over the years this classic standard from the '30s has been recorded by countless jazz artists and big bands. Here in the hands of Michael Sweeney is a medium swing chart designed for young players that features a nice mix of feature spots for saxes as well as brass. Includes short written or ad lib solos for alto sax and trumpet. (Includes CD)

Trombone and baritone sax are featured at the top in this nicely stylized setting. Written in an uptempo swing style and skillfully contrasting the brass and sax sections, this effective arrangement sounds incredibly full for having just six horn parts. (Grade 4)

Trombone and baritone sax are featured at the top in this nicely stylized setting. Written in an uptempo swing style and skillfully contrasting the brass and sax sections, this effective arrangement sounds incredibly full for having just six horn parts. (Grade 4)

Feature a trumpet or trombone soloist on Frank Mantooth's masterful brisk treatment of this standard. With powerful ensemble punches and a driving feel throughout, this one defines the term burner. (Originally published in 1987 and recorded by The Ashley Alexander Big Band on Seems Like Old Times - PR 7209)